by pappou » Wed Dec 19, 2007 5:42 am
Very impressive street atmosphere, Robert. Most surprising to me is that the street retains its ambiance even with the '50s glass facade flying above it. And i am wondering why the street scene remains relatively unaffected by what in most accounts would be called an 'ugly facade'.
One saving grace may be the nice curve you give to the flowing silhouette of the glass wall.
But anything else, i think, must be due to the power of the street level itself. One thing that seems to help move the glass wall out of conflict is that the one story high street scene is set at the same height all around. By not varying that height (by resisting the impulse toward cute variations and strange height irregularities) you have set a ceiling over the street volumes – it is a glass ceiling, to be sure, but its perceptual presence is quite strong and, in this case, very helpful. To me, it works to keep the curvy glass wall from seeming as out of place as (in retrospect) i really think it should be.
1. Now i am really wondering how 'crystal palace' above the street level is going to affect your decisions on the interior – esp. as you climb up into the (architectural) structure.
2. Earlier you had some of those '50s aluminum mullions from above dropping down into the entry; but since adding the control panel, that '50s storefront stuff is gone, and i think for the better. So, i am wondering what goes back in its place: Surely something more in keeping with ground level motifs?
3. The big light pedestal in the piazzetta in front is a very nice design.
4. Do you have a site plan for this area, which you can show us?
5. I also enjoy the skinny columns on either side of the big entry door, which have the nice Egyptian fans at top -- this causes them to act as both capital and freeze decoration.
6. I am less keen about the double cols you use in the courtyard shot, where even as mere decoration it is contrary to man and nature to let columns run to the key stone of an arch.
Again, the feeling of the textures and (perhaps exuberant) decorations at the street level is so strong that it overcomes all these nit-picky objections. I am most anxious to see more still screen shots. This is really a nice street.
pappou